Book Review of End Credits: How I Broke Up with Hollywood

Book Review: End Credits: How I Broke Up with Hollywood

From the moment I saw the title of Lin’s book, End Credits: How I Broke Up with Hollywood, I was hooked. Given our current cultural climate, where Hollywood writers have taken a stand for better treatment, Lin’s insider perspective as a series writer felt both timely and compelling. I have always been captivated by the behind-the-scenes drama of Tinseltown, but Lin’s recounting of her experiences added a unique flavor I didn’t know I craved. Thank you to Lin, the publishers, and NetGalley for the advance digital copy; all opinions in this review are mine.

What an excellent read! Lin’s narrative seamlessly blends humor and vulnerability, making the reader feel both entertained and introspective. One key theme that resonated deeply with me was her exploration of childhood experiences and how they shape us as adults. Linn’s memories of navigating life’s complexities—like the sudden, bewildering onset of her period and her desire for validation from adults—struck a chord. It reminded me of my own childhood, lost in a world where creativity battled against familial expectations of pragmatism.

As a Friends aficionado—I’ve binge-watched the series over five times—I was thrilled by Lin’s anecdotes about crafting some of its most beloved jokes. The heartwarming account of her time working with David Schwimmer made me chuckle and reflect on how simple gestures can create lasting memories. “Patty, can you scooch closer to the door?” he said to her, affirming her presence in a space filled with iconic moments. It’s little interactions like these that remind us how ordinary people can still achieve recognition in extraordinary places.

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One cannot overlook how Lin wrote about returning to Manhattan after her time in L.A. Her description made me nostalgic for the city’s gritty charm, filled with rats and cockroaches but also endless character-building moments. It made me think of the comedic brilliance of Seinfeld, specifically the infamous Soup Nazi episode, and how real-life experiences can become fodder for iconic storytelling.

Lin’s ability to articulate the lasting impact of childhood trauma is both powerful and cathartic. For those who, like me, carry a mix of joy and pain from their formative years, her reflections resonate keenly. “The thought of that inner third-grader being put through all the pressures and humiliations of my career filled me with compassion,” she shares. Such sentiments are priceless, and I found comfort in her candid exploration of adulting intertwined with childhood scars.

While the book overwhelmingly wove together humor and nostalgia, it also tugged at my heartstrings—making me tear up not once, but twice! On the flip side, her portrayal of Burning Man felt oddly encapsulated; it’s not a “small private garden party,” as she suggests—it’s that colossal celebration in the desert that everyone talks about!

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In closing, if you’re looking for a book that captures the essence of Hollywood with both an insider’s humor and heartfelt poignancy, I highly recommend End Credits: How I Broke Up with Hollywood. It has the potential to resonate with creators, dreamers, and anyone who has navigated the complexities of adult life while carrying echoes of their past. Lin has crafted an experience that urges us to brave our inner child amid the chaos—something I truly cherished as a reader.

Rating: 📓📓📓📓📓 / 5 screenplays
Finished: August 14, 2023

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Wendy Marshall
wendy@toomuchtowrite.com

Wendy Marshall is a publishing agent and the owner of Too Much To Write. She has successfully represented numerous authors, helping them to get their work published and make their dreams come true. Prior to Too Much To Write, Wendy spent a decade working in the publishing industry, first as an editorial assistant and later as an acquisitions editor. She has a deep understanding of the publishing process and a passion for helping writers find success. Wendy specializes in helping authors create books that are both commercially viable and that represent their unique voice and vision. She has a wealth of experience in the industry and loves helping authors navigate the complicated publishing landscape. She believes that every voice deserves to be heard and that every story deserves to be told.



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