Book Review of How Horror Works in Books and Film

Review of How Horror Works in Books and Film

When I stumbled upon How Horror Works in Books and Film, I felt an irresistible pull, intrigued by the idea of unpacking the eerie mechanisms that tantalize and terrify. The author, who previously captivated me with her insights in Wolves and Werewolves in History and Popular Culture, had set the bar high. Yet, with this course, she not only met expectations but soared beyond them. For someone like me, who winces at the faintest horror film, there’s a unique thrill in understanding a genre that dances tantalizingly on the edges of my comfort zone.

I have to admit, horror movies usually send me scurrying out of the room—I’m easily scared and plagued by ominous soundtracks that have me jumping out of my skin. Yet, with horror literature, I’ve found a spark. It’s fascinating how words can conjure a monstrous dread that feels both safe and exhilarating. What I sought from this course was to peer behind the curtain, to understand the alchemy of fear that authors and filmmakers employ.

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The course is rich with themes that explore horror’s vast landscape—from demonic possession to psychological and social horrors. One particularly captivating chapter that stuck with me discussed Halloween (2018) and the concept of the “final girl.” Even though slasher films overall aren’t my cup of tea, the way she detailed the archetypes and societal implications was nothing short of riveting. It’s a testament to her talent as a lecturer that she made me consider watching one—an impossible feat for my easily spooked psyche!

Moreover, the chapter on demonic possession, which elegantly explored The Exorcist, sent shivers down my spine. While watching such films is a hard no for me, the prospect of reading the book intrigues me. There’s something truly magnetic about delving into these themes intellectually. Even when discussing concepts like ecohorror or zombies—my least favorite creatures—I found the exploration thought-provoking, leaving me brimming with curiosity rather than dread.

The author’s writing style is conversational yet scholarly, effortlessly blending analysis with engaging anecdotes. Her pacing keeps you on your toes, artfully transitioning between discussing iconic films to broader horror tropes without losing momentum or focus. I often found myself pausing to jot down notes, eager to revisit her discussions.

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What resonated particularly with me were her thoughtful reflections on horror’s intentions—how it reflects societal fears, confronts personal anxieties, and challenges us to think critically about the darker corners of human existence. It’s a layered examination that feels both educational and introspective, perfect for someone like me who’s only just beginning to understand horror’s potential.

If you’re a die-hard horror fan, or even just someone like me, intrigued yet hesitant, I wholeheartedly recommend this course. It’s an enlightening blend of education and entertainment, ideal for anyone wanting to understand what makes horror tick. After all, tapping into what scares us is a vital part of the human experience, and I came away from this course with my own fears transformed into an appreciation for the genre’s depths.

In conclusion, How Horror Works in Books and Film is not just a course; it’s an invitation to explore, reflect, and perhaps even confront our fears. Dive in, and who knows? You might find yourself seeing horror in an entirely new light.

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Wendy Marshall
wendy@toomuchtowrite.com

Wendy Marshall is a publishing agent and the owner of Too Much To Write. She has successfully represented numerous authors, helping them to get their work published and make their dreams come true. Prior to Too Much To Write, Wendy spent a decade working in the publishing industry, first as an editorial assistant and later as an acquisitions editor. She has a deep understanding of the publishing process and a passion for helping writers find success. Wendy specializes in helping authors create books that are both commercially viable and that represent their unique voice and vision. She has a wealth of experience in the industry and loves helping authors navigate the complicated publishing landscape. She believes that every voice deserves to be heard and that every story deserves to be told.



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