Book Review of Like, Literally, Dude: Arguing for the Good in Bad Engl…

Review of Like, Literally, Dude: Arguing for the Good in Bad English by Valerie Fridland

When I first encountered Like, Literally, Dude by Valerie Fridland, I felt an immediate connection. As someone who’s frequently berated for my love of "like" and my spontaneous vocal flourishes, the premise struck a chord with me. Lingering over Mignon Fogarty’s enthusiastic endorsement, “Smart and funny—I loved it!” only heightened my anticipation. I opened the book eager to discover how these so-called linguistic faux pas might actually serve as essential elements of communication.

Fridland delves into the speech habits we love to hate, transforming our perception of common quips like “um,” “uh,” and “you know.” With flair and humor, she argues that these seemingly annoying ticks are not signs of linguistic decay, but rather valuable tools that enhance our social interactions. Through her meticulous exploration, it’s evident that Fridland possesses a profound understanding of language’s malleable nature. Her voice feels both authoritative and relatable, making it easy for readers to engage with the material.

One of the standout themes of the book is the empowering evolution of language. Fridland invites us to rethink the way we view speech quirks, like the viral rise of “literally” or “so”—language that often draws mockery. She wraps these concepts in entertaining anecdotes from her two decades of linguistic research, creating a rich, tapestry-like narrative that elicits both laughter and introspection. For me, the notion that these features could be the backbone of our communicative prowess was refreshing; it left me reassessing how I interact daily.

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Fridland’s writing style is engaging and approachable, balancing expert analysis with a delightful irreverence that keeps the reader entertained. Quick sentences and vivid examples breathe life into the text, making it feel more like a friendly conversation than a lecture on grammar. A notable highlight came when she discussed how the term “dude” can bridge social divides, reminding us that language is, at its core, about connection and understanding. Her witty assertion that our “filled pauses” actually foster better communication resonated deeply with me—a reminder that our imperfections might just be our strengths.

This book isn’t just for grammar enthusiasts or language purists; it’s for anyone who speaks—or listens—regularly. Whether you’re a seasoned communicator or someone navigating the intricate world of conversations, Like, Literally, Dude offers insights that are accessible and refreshingly optimistic. Fridland challenges us to embrace the quirks of modern speech as symbols of innovation rather than decay.

Upon closing the book, I felt uplifted and inspired to improve my own communication style, proudly wielding my linguistic “failings” as badges of honor. If you’ve ever felt self-conscious about your speech patterns, or simply share a love for language in all its forms, this book is a must-read. Fridland illuminates a path forward—inviting us to celebrate the richness and dynamism of language itself.

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So, whether you’re a fan of linguistics or just someone who enjoys a good linguistic escapade, Like, Literally, Dude will surely leave you rethinking your relationship with language, revealing its potential to connect us in profound and unexpected ways.

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Wendy Marshall
wendy@toomuchtowrite.com

Wendy Marshall is a publishing agent and the owner of Too Much To Write. She has successfully represented numerous authors, helping them to get their work published and make their dreams come true. Prior to Too Much To Write, Wendy spent a decade working in the publishing industry, first as an editorial assistant and later as an acquisitions editor. She has a deep understanding of the publishing process and a passion for helping writers find success. Wendy specializes in helping authors create books that are both commercially viable and that represent their unique voice and vision. She has a wealth of experience in the industry and loves helping authors navigate the complicated publishing landscape. She believes that every voice deserves to be heard and that every story deserves to be told.



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