01 May Book Review of Reading Like a Writer: A Guide for People Who Love Book…
Reading Like a Writer: A Journey Through Literary Lenses
When I first picked up Reading Like a Writer: A Guide for People Who Love Books by Francine Prose, I was intrigued by the premise: a seasoned writer sharing insights into the art of reading with the intent of enhancing our writing journeys. As someone who oscillates between the realms of literary fiction and genre works, I was eager to unravel Prose’s take on reading and writing. But as I delved deeper, I found myself grappling with how her literary elitism shaped the narrative of her guide.
At first glance, Prose’s experience and accolades radiate a certain allure, but it became apparent that her focus leaned heavily into the literary canon. While she doesn’t overtly dismiss genre fiction—though it’s hard to miss the absence of popular titles—it left me questioning the inclusivity of her approach. She waxes poetic about the importance of aesthetics, character, and detailed prose, but her selections often feel like an exclusive club open only to ‘worthy’ works like Dickens, Austen, and Calvino.
Her chapters, elegantly titled with terms like Narration, Dialogue, and Learning from Chekhov, present a semblance of structure, yet I felt they echoed the tone of a creative writing workshop, one that privileges literary storytelling at the expense of plot and wider genres. For instance, while her analysis of Chekhov is undeniably insightful, I couldn’t help but wonder how a budding sci-fi writer might relate to her guidance. The absence of discussions on plot—often the lifeblood of more universal storytelling—felt like a glaring oversight.
Prose’s writing style is undoubtedly rich and reflective. Her observations on language and detail invite readers to savor every word, yet at times it felt like I was stuck in an MFA seminar rather than embarking on a journey through innovative storytelling. Quotations from literary titans peppered throughout her assessments serve to reinforce her points, but they also deepen a sense of exclusion for those of us who love the thrill of a fast-paced thriller or the escapism of fantasy.
Towards the end, a refreshing insight emerged through Prose’s candid reflections in an addendum Q&A about the modern publishing industry and MFA programs. This section stood out to me more than the rest of the book; it showcased her willingness to peel back the curtain on the industry’s complexities, a topic that feels both timely and significant.
As I emerged from this literary excursion, I couldn’t shake the feeling that while Prose is a treasure trove of wisdom for those who share her literary preferences, her narrow focus sidelined a world of stories that resonate deeply with a vast readership. Although I appreciate the depth and care of her prose, I yearn for a broader lens that embraces all writers—regardless of genre.
For readers and writers deeply entrenched in the world of literary fiction, Reading Like a Writer may offer gems that enrich your craft. However, for those of us who dance through genres or revel in popular fiction, you might find Prose’s insights less applicable. This book was a reminder of the diversity within our literary interests—and the importance of embracing all stories, no matter the shelf they occupy. In closing, while I appreciate Prose’s literary insight, my own journey led me to reaffirm the vibrant tapestry that all good storytelling weaves, regardless of its perceived ‘literary’ merit.
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