Book Review of Syme's Letter Writer: A Guide to Modern Correspondence …

A Journey Through the Pen: A Review of Rachel Syme’s Letter Writer: A Guide to Modern Correspondence

As a lifelong lover of letter-writing, I couldn’t resist picking up Rachel Syme’s Letter Writer: A Guide to Modern Correspondence. The premise felt almost like a call to arms, rallying us analog folk to reclaim the art of correspondence in this digital age. However, stepping into Syme’s world of correspondence was a mixed bag—one that both stirred my inspiration and left me scratching my head in dismay.

From the very first page, Syme’s passion for letters shines through, an evident reflection of her own joy in the craft. The production of the book itself is delightful; the introduction unfolds like a personal letter, setting a charming tone that promises warmth and creativity. As I flipped through its beautifully decorated pages, featuring custom stationery at the back, I felt the giddiness of opening a thoughtful gift.

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However, this initial excitement was soon tempered by a series of comments that struck me as rather disparaging. Syme often likens letter-writing to “vintage cosplay,” implying that it may no longer hold relevance in our fast-paced world of emails and instant messaging. She seems to operate under the assumption that her readers—like many in our digital era—have little understanding of the joys of putting pen to paper. As someone of her same generation who finds profound joy in mailing a heartfelt letter, I found this perspective frustratingly condescending. It made me wonder whether she is perhaps unwittingly casting shadows over a craft that many of us cherish deeply.

That said, I can appreciate her attempts to encourage budding correspondents with creative writing prompts, even if some fell flat. Take, for instance, her suggestion to write using “the ugliest ink and paper”—a notion that left me scratching my head rather than igniting my creative spirit. Yet amid this quirkiness, a few gems emerged, and I found myself jotting down ideas for exploring new themes and topics in my own writing.

There were also delightful nods to films and books revolving around correspondence, which sparked my curiosity to explore further. Interestingly, my journey led me to discover the stunning offerings from Pink Nebula, a treasure I likely would have missed without her guidance.

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However, the lack of practical guidance for beginners is a significant oversight. For newcomers to fountain pens, some clarity or basic tutorials would certainly enhance the reader’s experience. Also, I was mildly disappointed to find that a promised envelope template was absent, a seemingly minor detail that left me feeling neglected as a reader eager for a more tactile approach.

As I reached the final pages, I felt a mix of contentment and irritation. On one hand, Syme celebrates the beauty of letter-writing; on the other, her remarks about it being “both freeing and a little bit dangerous” rubbed me the wrong way. I couldn’t help but ask why she would dream of dismissing what brings so much joy to people’s lives. By the end of it, I couldn’t shake the feeling that she simultaneously despises and loves the art herself, creating a bit of cognitive dissonance that made the reading experience all the more intriguing.

In conclusion, if you’re someone deeply entrenched in the world of letters or even mildly curious, Letter Writer is a fascinating read with moments of inspiration. However, if you’re seeking an outright endorsement or a step-by-step guide to writing letters, you may need to temper your expectations. Syme’s approach walks a fine line between critique and celebration, which might just resonate differently depending on your relationship with the written word. Despite its flaws, this book left me pondering the future of letter-writing and reconfirmed my belief in its enduring value—one I’ll continue to champion in both my life and on the page.

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Wendy Marshall
wendy@toomuchtowrite.com

Wendy Marshall is a publishing agent and the owner of Too Much To Write. She has successfully represented numerous authors, helping them to get their work published and make their dreams come true. Prior to Too Much To Write, Wendy spent a decade working in the publishing industry, first as an editorial assistant and later as an acquisitions editor. She has a deep understanding of the publishing process and a passion for helping writers find success. Wendy specializes in helping authors create books that are both commercially viable and that represent their unique voice and vision. She has a wealth of experience in the industry and loves helping authors navigate the complicated publishing landscape. She believes that every voice deserves to be heard and that every story deserves to be told.



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