Book Review of The Position of Spoons: And Other Intimacies

A Personal Reflection on Deborah Levy’s The Position of Spoons: And Other Intimacies

Deborah Levy has long been one of my literary muses—her prose often feels like a dance between intellect and emotion, capturing the intricacies of life in so few words. I find myself gravitating toward her non-fiction, drawn to the way she weaves personal and philosophical threads together. So, naturally, I was excited to dive into The Position of Spoons: And Other Intimacies. As I turned the pages, however, I found myself in a state of ambivalence. It feels both like a treasure chest of insights and, oddly, a collection that might have arrived too soon, or perhaps too hastily packaged.

The book is a compilation of previously published essays, many of which serve as erudite introductions to other writers. This composition made me feel as though I was invited to a dinner party where the host had hastily arranged familiar friends without considering their compatibility. Levy’s exploration of various themes is brilliant, yet I couldn’t shake the sense that this collection lacks a cohesive thread, almost like it materialized as a convenient product rather than a lovingly curated experience.

That said, the individual essays shine brightly, like bright stars in a cloudy sky. One of my favorites was her exploration of Violette Leduc’s La Bâtarde. Levy captures Leduc’s raw emotions and visceral language perfectly, emphasizing her ability to translate physical sensations of unloved, poverty, and life’s subtleties. I found myself underlining impactful lines, such as, "There is no sustenance in the past." This declaration resonated with me, not just because of its insight, but because it made me chuckle at the irony of my own past-filled reading journey.

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Her prose reveals not only her sharp intellect but also her capacity for depth. Lines like “How we gaze at the world and how we negotiate the way it gazes back at us is at the core of all writing,” left me pondering the delicate interplay between author and audience. It reminded me of the nuances that shape our understanding of literature—how sometimes, our own experiences color the lens through which we read.

Some moments in the book are profoundly poignant, especially that lovely revelation about the beauty of everyday life: "I see no reason to hide them in the fridge," Levy writes of her eggs and lemons. Those little joys, central to our existence, could easily slip by unnoticed. These reflections invite readers to find beauty in the mundane, reminding me to cherish the world around me.

In conclusion, while The Position of Spoons might feel somewhat disjointed to some, it’s a treasure trove for fans of Levy’s captivating style. If you appreciate essays that invoke deep thought and unexpected laughter, this book might just resonate with you. For readers who love to explore the intersections of personal experience and literary criticism, this collection could spark countless discussions—just as it did for me. Despite my reservations, Levy has once again transformed my perspective, leading me to question and embrace every intimate detail of life, even when it seems disordered.

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Wendy Marshall
wendy@toomuchtowrite.com

Wendy Marshall is a publishing agent and the owner of Too Much To Write. She has successfully represented numerous authors, helping them to get their work published and make their dreams come true. Prior to Too Much To Write, Wendy spent a decade working in the publishing industry, first as an editorial assistant and later as an acquisitions editor. She has a deep understanding of the publishing process and a passion for helping writers find success. Wendy specializes in helping authors create books that are both commercially viable and that represent their unique voice and vision. She has a wealth of experience in the industry and loves helping authors navigate the complicated publishing landscape. She believes that every voice deserves to be heard and that every story deserves to be told.



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